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As Arlecchino escapes through the window, Colombina tells him, "I will always be yours! Nedda, hoping to keep to the performance, calls Canio by his stage name "Pagliaccio," to remind him of the audience's presence.
He answers with his arietta: He sings that if his face is pale, it is not from the stage makeup but from the shame she has brought him. The crowd, impressed by his emotional performance, which they do not realize is real, cheers him. Nedda, trying to continue the play, admits that she has been visited by the innocent Arlecchino.
Pagliacci - Wikipedia
Canio, furious and forgetting the play, demands the name of her lover. Nedda swears she will never tell him, and it becomes apparent that they are not acting.
Beppe asks Tonio to intervene, but Tonio refrains and prevents Beppe from halting the action. Silvio begins to fight his way toward the stage.
Canio, grabbing a knife from the table, stabs Nedda. As she dies, she calls: The horrified audience then hears the celebrated final line: The appropriation of this final line by Canio dates back to John Wright has analysed the dramaturgy of the opera in the context of assignment of the final line, and concluded that the original assignment of the final line to Tonio is the most consistent and appropriate assignment.
Wright says that Tonio shows more deliberate control in his manipulation of the other characters in order to obtain his revenge upon Nedda, after she has rejected him, and is more aware of the demarcation between life and art.
By contrast, Canio is unaware of the behind-the-scenes manipulations and surrenders control of his perception of the difference between life and art as the opera proceeds. Several exceptions, where Tonio delivers the final line, include: A RAI-TV production directed by Herbert von Karajan  The HMV recording conducted by Riccardo Muti EMI CMS7  The Philips recording conducted by Muti Philipsin conjunction with live performances in Philadelphia in February  The English-language recording on Chandos CHAN [note 4] The Seattle Opera production  The Opera Grand Rapids production  Orchestration[ edit ] The orchestra consists of 2 flutes1 piccolo2 oboes1 cor anglais2 clarinets1 bass clarinet3 bassoons4 horns3 trumpets3 trombones1 tuba2 harpstimpanitubular bellspercussion triangle, cymbals, bass drum, glockenspiel and strings.
Additionally, there is an onstage violin, oboe, trumpet, and bass drum. Performers have taken this to be a tam-tam partly because Mascagni used one, although to much greater effect, on the final moments of Cavalleria rusticana.