Ernesto Daranas, Director of Smash Hit 'Conducta' on Making Films in Cuba | Film | Remezcla
Ministerio de Cultura. Instituto Cubano del Arte y la Industria Cinematográficos. RTV Comercial. Distributed by, Latido Films. Release date. January ( 01). Running time. minutes. Country, Cuba. Language, Spanish. Behavior ( Spanish: Conducta) is a Cuban drama film directed by Ernesto Daranas. Conducta: Ernesto Daranas's smash hit But Conducta is something different. Our monthly online digital magazine is also available in Spanish and French. Movie Conducta: A Cuban boy abandoned by his mother tries to stay on the right path with the Ernesto Daranas Please check back again at a later date.
Unwilling to sit on its laurels as a long-established fixture, the festival responded to the apparently diminishing of importance of the cinema-space by upping its technological game: This meant that although a few technical difficulties still occurred at some cinemas, both sound and image were guaranteed to be of the highest quality in at least some of the participating venues.
It is with this quality, as well as with the experience of collective viewing, that the festival hoped to compete with the convenience and choice offered by home viewing. That is not to say, however, that the festival did not recognise its competition.
They spoke about the process of planning and writing a season of shows, as well as about the time, talent, connections and luck it took to get them to their current position in Hollywood. On the second day, Argentine filmmaker Diego Lerman introduced us to his forthcoming television project: These talks are just one example of a programme designed by the festival team to ensure that this annual meeting is genuinely useful for those useful for those already working or aspiring to work in the film and television industries.
As well as organising for prizes and awards to help young filmmakers get their projects off the ground, the festival provides a space for debate about the most pressing issues in the field. For example, this year an international panel discussed audiovisual laws in Italy, Portugal and Cuba, before opening up to comments from the floor that confirmed the widespread support for a current initiative by some Cuban film industry professionals to update the national legal framework for cinema.
Whilst the festival may not have been able to address the root causes of the disappearance of these spaces such as the widespread inaccessibility of technology, seen in the fact that many cinemas do not have professional-standard projectors, longstanding neglect of the spaces themselves, and the arguable unsustainability of the highly-subsidised Cuban exhibition system, in which cinema tickets cost only two pesosits temporary solution implies that the valuation of cinema as more than entertainment or escapism, a criteria inextricable from the New Latin American cinema movement, lives on.
Indeed, the festival maintained its popularity amongst locals, with many screenings preceded by a wait in a discouragingly long queue, a scuffle at the entrance and throngs of eager film-goers finally unable to enter the packed salas. This same story was told in her documentary En el cuerpo equivocado but here Solaya has been keen to frame the issue in more universal terms, pointing out that the film is about much more than the story of transsexuals in Cuba.
As well as focusing on the intricacies of a marriage, the film deals with themes of corruption and the tensions of the Special Period. Though the film may have suffered slightly from an excess of exposition, it clearly touched a nerve with Cuban audiences. Vestido de novia Marilyn Solaya, Cuba The festival was divided into several broad sections, the first of which was, of course, that of the Competition. This section also gave the public a glimpse into works screened at other festivals, including Vancouver, Trinidad and Tobago and Gramado.
Conducta Ernesto Daranas, Cuba As some of the Cuban titles listed above attest, many of the films featured this year showed a recurrent concern with issues either of sexuality and gender or of youth and childhood.
Conducta – n3ws.info
Last night the festival opened with a screening of Conducta and continues through April To give a little context, Cuban cinematic culture is like perhaps no other in Latin America. But, underlying this rabid devotion has been the messianic promise that one day the film would come — the film that would capture Cuban social reality in all its complexity, that would give voice to their frustrations and anxieties while still offering some hope for the future.
For the moment, it seems that film is Conducta. What is your professional background? How did you end up making films? I studied Geography but never practiced the profession. Before graduating I had already begun to write and direct for radio, theater and television.
Conducta - Behavior
I came to film in thanks to a fund for low budget projects. Cuba is a country with a strong cinematic tradition. How do you think you fit within that? They are very personal themes for me and that determines how I approach the subject matter.CONDUCTA de Ernesto Daranas Serrano
But in general, I think Cuban cinema has shown a marked concern for social issues which has given us some of our most important works. What do you think is the importance of film in a country like Cuba? Cuba is not an exception.