Cele|bitchy | Richard Gere’s wife is mad he rushed to comfort Diane Lane after her divorce filing
A SNEAKY cheating scandal doomed Richard Gere's year to comfort his “ Unfaithful” co-star Diane Lane after she announced she was. Richard Gere & Diane Lane Cheating Scandal – Report loose definition) in Pretty Women, but his real-life dating habits are far less romantic!. Unfaithful is a American thriller drama film directed by Adrian Lyne and starring Richard Gere, Diane Lane, Olivier Martinez, Erik Per Sullivan, Chad Lowe.
We had to repair our relationship because I wanted my mother back. She came very close to being cast as Vivian Ward in 's blockbuster hit Pretty Woman which had a much darker script at the timebut due to scheduling conflicts, was unable to take the role. Apparently, costume fittings were made for Lane, before the role fell to Julia Roberts.
She was given positive reviews for her performance in the independent film My New Gunwhich was well received at the Cannes Film Festival. It wasn't until that Lane earned further recognition for her role in A Walk on the Moon. One reviewer wrote, "Lane, after years in post-teenaged-career limbo, is meltingly effective. At this time, she was interested in making a film about actress Jean Seberg in which she would play Seberg.Nights in Rodanthe - Exclusive: Richard Gere and Diane Lane
Lane played a housewife who indulges in an affair with a mysterious book dealer. The film featured several sex scenes, and Lyne's repeated takes for these scenes were very demanding for the actors involved, especially for Lane, who had to be emotionally and physically fit for the duration.
Entertainment Weekly critic Owen Gleiberman stated that "Lane, in the most urgent performance of her career, is a revelation. The play of lust, romance, degradation, and guilt on her face is the movie's real story. It is the third film Gere and Lane filmed together, and is based on the novel of the same title by Nicholas Sparks. Lane also co-starred in Jumper and Untraceable in the same year.
She then appeared in Killshot with Mickey Rourke, which was given a limited theatrical release before being released on DVD in While promoting Nights in Rodanthe, she expressed frustration with being typecast and stated that she was "gunning for something that's not so sympathetic. I need to be a bitch, and I need to be in a comedy. No more Miss Nice Guy. She said in an interview, "I can't do anything official.
Granted, it's just a movie, but I suspect there are similar situations such as this going on everywhere. I haven't seen the movie so I'll just comment on the information you gave here.
It's pretty sad that the women on that website would sympathize with the wife. It would be one thing if the husband were a jerk or didn't appreciate his wife.
Richard Gere & Diane Lane Cheating Scandal – Report | Celeb Dirty Laundry
Then I could understand though not excuse why she cheated. But that doesn't seem to be the case here. Why is that when someone cheats, people automatically conclude that their partner was doing something wrong? I've heard people use this to defend John Edwards. As this movie shows, sometimes the spouse could be perfect, but the person cheats anyway. I can't speak from actual experience, but I think a lot of people men and women take marriage for granted.
They see a great partner and know that person will always be there. But they also think about what they're missing out on. Once on the set, they felt uncomfortable until several takes in. She said, "My comfort level with it just had to catch up quickly if I wanted to be the actress to play it. Lane said that Lyne would often shoot a whole magazine of film, "so one take was as long as five takes. By the end, you're physically and emotionally shattered.
Biziou often used two cameras for the film's intimate scenes to reduce the number of takes that had to be shot. I tried to explore the guilt, the jealousy—that's what I'm interested in. It imposed a "particularly jarring 'Hollywood' final line", which angered Gere. Following negative reactions from test audiences, the studio reinstated the original ending;  a few weeks before the film was to open in theaters, Lyne asked Gere and Lane to return to Los Angeles for re-shoots of the ending.
Lyne also thought the new ending "would be more interesting and provoke more discussion,"  saying he intentionally "wanted to do a more ambiguous ending, which treats the audience much more intelligently. CNN film critic Paul Tatara wrote, "The audience when I saw this one was chuckling at all the wrong times, and that's a bad sign when they're supposed to be having a collective heart attack. The play of lust, romance, degradation, and guilt on her face is the movie's real story.
Whether it's her initial half-distrustful tentativeness, her later sensual abandon or her never-ending ambivalence, Lane's Constance seems to be actually living the role in a way no one else matches, a way we can all connect to. That screenplay helps to ground a film whose visual imagination hovers somewhere between soap opera and a portentous pop surrealism. All that money spent, all that talent wasted, all that time gone forever, and for what?